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Posts tagged: art

Dustin Hoffman on art and failure.

byrn:

Tumblr De Stijl.
La identidad de una empresa especialmente de un servicio de internet, depende bastante del layout de su página web. No tenemos que ver logos o letras para identificar la empresa, sólo colores y la posición en la que se encuentran. Por eso quise combinar el layout de páginas web con el movimiento de arte De Stijl.
También vean Facebook De Stijl

byrn:

Tumblr De Stijl.

La identidad de una empresa especialmente de un servicio de internet, depende bastante del layout de su página web. No tenemos que ver logos o letras para identificar la empresa, sólo colores y la posición en la que se encuentran. Por eso quise combinar el layout de páginas web con el movimiento de arte De Stijl.

También vean Facebook De Stijl

If you weren’t already in love with Maurice Sendak from his masterful work, Where the Wild Things Are, you’re likely to fall once you watch his interview at home. Speaking on the need for ferocity and irreverence in art and pausing, sweetly, to pet his dog, the 89-year-old illustrator shares his answer—”I’m not a whore”—to requests over the years to do a WTWA sequel while rejecting common notions of money and fame in the creative world.

(video by TateShots, above description from coolhunting.com)

qbf:

urhajos:

QBF

Scoring now at Threadless, for sale at Society6

qbf:

urhajos:

QBF

Scoring now at Threadless, for sale at Society6

zeroing:

‘On the Shelf’ (1970) by Michael Craig-Martin

zeroing:

‘On the Shelf’ (1970) by Michael Craig-Martin

It’s not a science. Sometimes it forms like a weather system. It gathers, as they say. When it’s done, you can reach up there and pull it down, maybe. But most people want the world to collaborate with them in some way with regard to what they do. Songs are pretty easy. They are small, they are modular, they are about as big as a bagel. They are easy to build. Films are overwhelming in their magnitude and scope. By comparison, a lot of film directors wish they were writing songs because you can do it while getting your hair cut.

austinkleon:

Elizabeth Gilbert: A new way to think about creativity

On the trouble with *being* a genius instead of *having* a genius:

…and all you have to do is look at the very grim death count in the 20th century alone, of really magnificent creative minds who died young and often at their own hands, you know? And even the ones who didn’t literally commit suicide seem to be really undone by their gifts. Norman Mailer, just before he died, last interview, he said “Every one of my books has killed me a little more.” An extraordinary statement to make about your life’s work. But we don’t even blink when we hear somebody say this because we’ve heard that kind of stuff for so long and somehow we’ve completely internalized and accepted collectively this notion that creativity and suffering are somehow inherently linked and that artistry, in the end, will always ultimately lead to anguish.

And the question that I want to ask everybody here today is are you guys all cool with that idea? Are you comfortable with that — because you look at it even from an inch away and, you know — I’m not at all comfortable with that assumption. I think it’s odious. And I also think it’s dangerous, and I don’t want to see it perpetuated into the next century. I think it’s better if we encourage our great creative minds to live.

Great talk. Don’t miss her profile of Tom Waits.

photojojo:



“The human heart stripped of fat and muscle, with just the angel veins exposed.”

(know who shot this?) via loveyourchaos

photojojo:

“The human heart stripped of fat and muscle, with just the angel veins exposed.”

(know who shot this?) via loveyourchaos

Does this art look familiar? It might seem especially so if you’re a  fan of “Calvin and Hobbes,” the beloved comic strip that sledded off of  the comics page in 1995.
This painting — by “Calvin and Hobbes” creator Bill Watterson —  is the first new art from him that his syndicate has seen in the 16  subsequent years, say executives with Universal Uclick and its parent  company, Andrews McMeel. The artwork is of the character Petey Otterloop  from Richard Thompson’s comic strip “Cul de Sac.”
More from the article here.

Does this art look familiar? It might seem especially so if you’re a fan of “Calvin and Hobbes,” the beloved comic strip that sledded off of the comics page in 1995.

This painting — by “Calvin and Hobbes” creator Bill Watterson — is the first new art from him that his syndicate has seen in the 16 subsequent years, say executives with Universal Uclick and its parent company, Andrews McMeel. The artwork is of the character Petey Otterloop from Richard Thompson’s comic strip “Cul de Sac.”

More from the article here.

For some who were interested, here are some photos of the process of creating PERHAPS.  Honestly, it should have been much easier than it was.  A friend of mine printed the paint mask in two long strips, top and bottom.  Unfortunately they were about 3 inches too long.  I was forced to cut out each letter and paste them on the wall separately, adjusting their positions by eye. 

Men are not suffering from the lack of good literature, good art, good theater, good music, but from that which has made it impossible for this to become manifest. They are suffering from silent, shameful conspiracy which has bound them together as anemies of art and artist. They are suffering from the fact that art is not primary, moving force in their lives. They are suffering from the act, repeated daily, of keeping up the pretense that they can go their way, lead their lives, without art.
Henry Miller’s Big Sur and The Oranges of Hieronymus Bosch. (Incredible read)